JOSEPH ZEAL-HENRY; is a cultural worker bridging public service, cultural production, and spatial innovation for the public good. Currently serving as Director of Cultural Planning for the City of Boston and Assistant Professor at Columbia GSAPP. Here is his INFO, E-MAIL and Instagram.


PROJECT INDEX [WORK IN PROGRESS] PROJECT INDEX



PUBLIC SERVICE

Making Space for Culture
East Bank
Designing a Circular Economy Primer
A House for Artists



CREATIVE PRODUCTION


Proximity Continuum Film 
Proximity Open Rehearsal 
Dancing Before the Moon
(Venice Architecture Biennial 2023)

SHUBZ at the V&A
SHUBZ at SOAS, Festival of Ideas
Sound & Solidarity
WE ARE HERE at the RIO
NOW YOU KNOW
SOUND ADVICE Branding


SPATIAL INNOVATION


Proximity Continuum Boston
Dox Thrash Garden
SUPA SYSTEM
National Galley 200
Co-Living in Countryside
A House for Britain
Graveney School Sixth Form Block
Wembley Park Drive
Wayland Close
Good Grief Tomb




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BRIDGING PUBLIC SERVICE, CREATIVE PRODUCTION & SPATIAL INNOVATION BRIDGING PUBLIC SERVICE, CREATIVE PRODUCTION & SPATIAL INNOVATION BRIDGING PUBLIC SERVICE, CREATIVE PRODUCTION & SPATIAL INNOVATION  







Built at a human-scale, SUPA System asks what music and sound can tell us about how we occupy spaces of power, and aims to inspire new ways of thinking about communal gathering spaces. A manifesto made physical, SUPA System cites far ranging influences to imagine how the vernacular of infrastructure could create new ways of living.
Taking inspiration from the aluminium frame of commercial billboards, the modular and open source structure riffs on a plurality of architectural traditions to create a flexible installation that repurposes commercial infrastructure to foster collaboration.Taking inspiration from the aluminium frame of commercial billboards, the modular and open source structure riffs on a plurality of architectural traditions to create a flexible installation that repurposes commercial infrastructure to foster collaboration.

SUPA System is a flexible structure that has no fixed dimensions and can be used in numerous ways. Set on hinges, the various walls of the structure can be opened and closed, allowing the shape to adapt to the space it is set within. Additionally, a semi-transparent gauze can be hung across the grid, transforming the structure into a screen for film projections.

Collaborators: Deborah Garcia (Co-design), White Rabbit Audio (Sound Design),  Lauren Harewood, SOAKE (Visual Identity), URSA Concepts (Aluminium Fabrication)

All photography by Malakhai Pearson